by
Reeds, Kenneth S.
Call Number
809.915 23
Publication Date
2013
Summary
This is the first book to carefully show the ways that magical realism emerged in the twentieth century in places other than Latin America. For example, the definition is given that works must contain elements of the neo-fantastic along with re-casting history. Gabriel García Márquez being the acknowledged representative author of the genre contains both in his novels. Authors like Gunter Grass, Franz Kafka, Jorge-Luis Borges, and Alejo Carpenter all contain some but not all elements of the genre. They can be considered early progenitors but not fully within the same classification as magical.
Format:
Electronic Resources
Relevance:
3.8547
by
Cooper, Brenda.
Call Number
823 21
Publication Date
1998
Format:
Electronic Resources
Relevance:
1.2844
View Other Search Results
by
Stavans, Ilan.
Call Number
864 20
Publication Date
1996
Summary
Ilan Stavans's vast and subtle knowledge deftly emerges in this engrossing collection of essays. Fascinated by the idea of Western civilization as a sequence of innumerable misinterpretations and misrepresentations, a magisterial Tower of Babel where everybody communicates at once in a different tongue, these nineteen pieces cover a broad range of personal and philosophical topics with the unifying theme being the crossroads where politics and the imagination meet. An essay on linguistics and culture discusses the shaping of Latin America's collective identity as a result of a translation loss. Peru's modern history is approached as a bloody battle between enlightenment and darkness, as personified by the archetypal clash between novelist Mario Vargas Llosa and the leader of Shining Path, Abimael Guzman. In his critiques of Octavio Paz and Gabriel Garcia Marquez, Stavans reflects on the dichotomy between pen and sword in the Hispanic world and wonders why we are so mesmerized by magic realism, a literary style that poses as unsettling while remaining thoroughly conventional at heart. In "Letter to a German Friend," Stavans returns to his fate as a Jew in the Southern Hemisphere, and in "The First Book," he connects his passion for literature to his initiation into Jewishness. Finally, in the brilliant meditation on Columbus's afterlife, he reflects on the many ways in which we reinvent ourselves in order to make sense of the chaotic world that surrounds us.
Format:
Electronic Resources
Relevance:
0.1547
by
Greenhill, Pauline.
Call Number
791.436559 22
Publication Date
2010
Summary
"In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, "Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film--the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life-- mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales." Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema."--Publisher's description. To set the field: fairy tales are traditional or literary fictional narratives that combine human and non-human protagonists with elements of wonder and the supernatural. Scholars of literature and film explore how such narratives manifest in film, either native to it or changelings from written literature or oral tradition. Among the topics are the commodification of childhood in contemporary fairy tale film, Guillermo del Toro's Pan's Labyrinth/El Laberinto del fauno and neomagical realism, feminism and place in The Juniper Tree, patriarchal backlash and nostalgia in Disney's Enchanted, feminist cultural pedagogy in Angela Carter and Neil Jordan's The Company of Wolves, and a secret midnight ball and a magic cloak in Stanley Kubrick's Eyes Wide Shut.
Format:
Electronic Resources
Relevance:
0.1225
Limit Search Results