by
Moore, Paul S., 1970-
Call Number
302.23430971354109041 22
Publication Date
2008
Format:
Electronic Resources
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4.7149
by
Dixon, Wheeler W., 1950-
Call Number
302.2343 20
Publication Date
1995
Summary
This book is a study of one of the most insidious and pervasive phenomena in the study and reception of cinema: the "returned gaze" from the screen in which the audience is actually surveilled by the film being projected on the screen. Rather than the usual process of watching a film, in those films which return the gaze of the viewer, the film looks at us, confronting our voyeur's embrace of the spectacle it presents. The book cites examples as diverse as Andy Warhol's Vinyl, Laurel and Hardy two-reel comedies, the films of Jean-Marie Straub, Jean-Luc Godard, Roberto Rossellini, and Wesley E. Barry's Creation of The Humanoids. It also discusses the history of the returned gaze in video, pornography, surveillance systems, and the related plastic arts.
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Electronic Resources
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3.9341
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by
Stempel, Tom, 1941-
Call Number
791.43013 22
Publication Date
2001
Format:
Electronic Resources
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3.2655
by
Fuller-Seeley, Kathryn.
Call Number
791.430973 22
Publication Date
2008
Summary
"Hollywood in the Neighborhood presents a vivid new picture of how movies entered the American heartland-the thousands of smaller cities, towns, and villages far from the East and West Coast film centers. Using a broad range of research sources, essays from scholars including Richard Abel, Robert Allen, Kathryn Fuller-Seeley, Terry Lindvall, and Greg Waller examine in detail the social and cultural changes this new form of entertainment brought to towns from Gastonia, North Carolina to Placerville, California, and from Norfolk, Virginia to rural Ontario and beyond. Emphasizing the roles of local exhibitors, neighborhood audiences, regional cultures, and the growing national mass media, their essays chart how motion pictures so quickly and successfully moved into old opera houses and glittering new picture palaces on Main Streets across America."--
Format:
Electronic Resources
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2.1383
by
Stewart, Jacqueline Najuma, 1970-
Call Number
791.43652996073 22
Publication Date
2005
Summary
The rise of cinema as the predominant American entertainment around the turn of the last century coincided with the migration of hundreds of thousands of African Americans from the South to the urban "land of hope" in the North. This richly illustrated book, discussing many early films and illuminating black urban life in this period, is the first detailed look at the numerous early relationships between African Americans and cinema. It investigates African American migrations onto the screen, into the audience, and behind the camera, showing that African American urban populations and cinema.
Format:
Electronic Resources
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1.8969
by
Caddoo, Cara, 1978-
Call Number
791.43652996073 23
Publication Date
2014
Summary
[Description]In Cara Caddoo's perspective-changing study, African Americans emerge as pioneers of cinema from the 1890s to 1920s. But as it gained popularity, black cinema also became controversial. Black leaders demanded self-representation and an end to cinematic mischaracterizations which, they charged, violated the civil rights of African Americans.
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Electronic Resources
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1.6611
by
Benson-Allott, Caetlin Anne, author.
Call Number
791.43656 23
Publication Date
2013
Summary
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and.
Format:
Electronic Resources
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1.5458
8.
by
Curtin, Michael.
Call Number
791.430951 22
Publication Date
2007
Summary
Delineates the globalizing pressures and opportunities that have dramatically transformed the terrain of Chinese film and television, including the end of the cold war, the rise of the World Trade Organization, and the escalation of democracy movements. This book examines the prospect of a global Chinese audience.
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Electronic Resources
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0.2494
by
Carr, Steven Alan, 1964-
Call Number
384.8089924073 21
Publication Date
2001
Summary
"Hollywood and Anti-Semitism: A Cultural History up to World War II examines how the public perceived American Jews in the entertainment industry from the turn of the century to the outbreak of World War II. Eastern European Jewish immigrants are often credited with building a film industry during the first decade of the twentieth century and dominating it by the 1920s. In this study, Steven Carr reconceptualizes Jewish participation in Hollywood by examining prevalent attitudes toward Jews among American audiences. Analogous to the Jewish Question of the nineteenth century, which was concerned with the full participation of Jews within the sphere of public life, the Hollywood Question of the twenties, thirties, and forties addressed the Jewish population within mass media. This study reveals the powerful set of assumptions about ethnicity and media influence as it related to the role of the Jew in the motion picture industry."--Jacket.
Format:
Electronic Resources
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0.1617
by
Saunders, Thomas J.
Call Number
791.430943 20
Publication Date
1994
Summary
Charlie Chaplin, Hollywood's most famous film star, went almost unnoticed when he visited Berlin in 1921. Three years later, Jackie Coogan was mobbed by Berlin fans. Within two years after that, audiences were protesting with howls and angry whistling against the American motion pictures that dominated Berlin's leading theaters. Yet before the decade was over they were lining up to hear Al Jolson sing in their first experience of sound film. These roller-coaster reactions are engagingly documented by Thomas Saunders as he explores an outstanding example of one of this century's most important cultural developments: global Americanization through the motion picture. The setting is Berlin, the cultural heart of Central Europe and home of the only film industry after World War I to rival Hollywood's. The invasion by American films, which began in 1921 with overlapping waves of sensationalist serials, slapstick shorts, society pictures, and historical epics, initiated a decade of cultural collision and accommodation. It fueled an impassioned debate about the properties of cinema and the spectre of wholesale Americanization, while facilitating unprecedented levels of cultural and economic exchange. American motion pictures not only entertained all social classes and film tastes in Weimar Germany but also served as a vehicle for American values and a source of sharp economic competition. In Hollywood in Berlin, Saunders examines the significance of Hollywood's presence in Germany through an analysis of the imported films and the commercial, social, and artistic discourses which they generated. He explores the phases of audience and critical appreciation of Hollywood - from avid curiosity and enthusiasm through growing disenchantment and saturation - as they relate to the ever-expanding front of the American film invasion. His fascinating discussion of Erich von Stroheim's Greed, which opened in Germany in 1926, shows how closely the violent reaction to the film on the part of critics and moviegoers alike paralleled the swelling fear of Amerikanismus and its perceived challenge to traditional German values. By correlating Hollywood's changing contribution to Weimar culture with the multiple contexts in which the films and their values were received, Hollywood in Berlin illuminates a vital moment of cultural encounter in the twentieth century. In addition, it successfully restores to the study of Weimar cinema its long-neglected international context and historicizes the ongoing struggle to safeguard the specificity of national cinemas from domination by Hollywood.
Format:
Electronic Resources
Relevance:
0.1296
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