by
Schonberger, Nicholas, author.
Call Number
391.65 23ENG20221206
Publication Date
2022
Summary
"This beautifully illustrated guide delves deep into the meaning and significance of different tattoo symbols, exploring the rich cultural history around the world of this widespread form of body art. Tattoos are everywhere: one in three of us has at least one. Body art is one of the most popular ways of expressing our identity and beliefs. But whether we're aware of it or not when we choose a design to be permanently inked on our skin, a complex language of meanings lies behind the visuals we choose. A lotus flower, koi carp swimming upstream or a dragon rising towards the sun: in the language of tattoos these are all symbols of strength and overcoming adversity. This book uncovers the meanings behind tattoo symbols, delving into the history of the most popular motifs that recur in many different tattoo styles, including tribal, traditional, Japanese and realistic. Over 130 symbols are grouped according to their meanings, whether it's good luck, freedom, wisdom, power, spirituality or love. Each symbol is illustrated with stunning, specially drawn visuals by acclaimed artist and tattooist Oliver Munden, and accompanied by an explanation by tattoo expert Nick Schonberger which delves into its history, significance and application in tattooing. Both a visual delight and a fascinating insight into the rich cultural heritage of tattooing, this is the perfect book for anyone wanting to learn more about tattoo symbolism, in need of inspiration for their next tattoo, or who just loves tattoo art" --Distributor description.
Format:
Electronic Resources
Relevance:
2.6996
by
DeMello, Margo.
Call Number
391.65 23
Publication Date
2014
Summary
In recent decades, tattoos have gone from being a subculture curiosity in Western culture to mainstream and commonplace. This two-volume set provides broad coverage of tattooing and body art in the United States today as well as around the world and throughout human history.
Format:
Electronic Resources
Relevance:
2.0232
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by
Martin, Chris William, author.
Call Number
391.65 23
Publication Date
2019
Summary
"Why do people put indelible marks on their bodies in an era characterized by constant cultural change? How do tattoos as semiotic resources convey meaning? What goes on behind the scenes in a tattoo studio? How do people negotiate the informal career of tattoo artist? The Social Semiotics of Tattoos is a study of tattoos and tattooing at a time when the practice is more artistic, culturally relevant, and common than ever before. By discussing shifts within the practices of tattooing over the past several decades, Martin chronicles the cultural turn in which tattooists have become known as tattoo artists, the tattoo gun turns into the tattoo machine, and standardized tattoo designs are replaced by highly expressive and unique forms of communication with a language of its own. Revealing the full range of meaning-making involved in the visual, written and spoken elements of the act, this volume frames tattoos and tattooing as powerful cultural expressions, symbols, and indexes and by doing so sheds the last hints of tattooing as a deviant practice. Based on a year of full-time ethnographic study of a tattoo studio/art gallery as well as in-depth interviews with tattoo artists and enthusiasts, The Social Semiotics of Tattoos will be of interest to academic researchers of semiotics as well as tattoo industry professional and artists"--
Format:
Electronic Resources
Relevance:
1.7770
by
Thompson, Beverly Yuen, author.
Call Number
306.4613 23
Publication Date
2015
Summary
"Once associated with gang members, criminals, and sailors, tattoos are now mainstream. An estimated twenty percent of all adults have at east one, and women are increasingly getting tattoos and are now more likely than men to have one. But many of the tattoos that women get are gender-appropriate: they are cute, small, and can be easily hidden. A small dolphin on the ankle, a black line on the lower back, a flower on the hip, and a child's name on the shoulder blade are among the popular choices. But what about women who are heavily tattooed? Why would a woman get "sleeves"? And why do some collect larger-scale tattoos on publicly visible skin, of imagery not typically considered feminine or cute, like skulls, zombies, snakes, or dragons? Drawing on five years of ethnographic research and interviews with more than seventy heavily tattoed women, 'Covered in Ink' provides insight into the increasingly visible subculture of tattoed women. Author Beverly Yuen Thompson spent time in tattoo parlors and at tattoo conventions in order to further understand women's love of ink and their imagery choices as well as their struggle with gender norms, employment discrimination, and family rejection. Still, many of these women feel empowered by their tattoes and believe they are creating a space for self-expression that also presents a positive body image. 'Covered in Ink' investigates this complicated subculture and finds out the many meanings of the love of ink"--Page 4 of cover
Format:
Electronic Resources
Relevance:
0.4034
by
Morris, Heather, author.
Call Number
FIC MOR
Publication Date
2018
Summary
I tattooed a number on her arm. She tattooed her name on my heart. In 1942, Lale Sokolov arrived in Auschwitz-Birkenau. He was given the job of tattooing the prisoners marked for survival - scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust. Waiting in line to be tattooed, terrified and shaking, was a young girl. For Lale - a dandy, a jack-the-lad, a bit of a chancer - it was love at first sight. And he was determined not only to survive himself, but to ensure this woman, Gita, did, too. So begins one of the most life-affirming, courageous, unforgettable and human stories of the Holocaust: the love story of the tattooist of Auschwitz.
Format:
Regular print
Relevance:
0.1728
by
Otter, Samuel, 1956-
Call Number
813.3 21
Publication Date
1999
Format:
Electronic Resources
Relevance:
0.0566
by
Otter, Samuel, 1956-
Call Number
813.3 21
Publication Date
1999
Format:
Electronic Resources
Relevance:
0.0566
by
La Flesche, Francis, 1857-1932.
Call Number
398.08975254 22
Publication Date
2010
Summary
Collection of 49 folk tales from the Osage Indian tribe gathered by scholar Francis la Flesche.
Format:
Electronic Resources
Relevance:
0.0477
by
Cifarelli, Megan, 1965- editor.
Call Number
391.009 23
Publication Date
2019
Summary
"The study of dress in antiquity has expanded in the last 20 years, evolving from investigations of costume and ethnicity in ancient art and texts and analyses of terms relating to textiles and their production, to broader studies of the social roles of dressed bodies in ancient contexts, texts, and images. This volume emerges from Approaches to Dress and the Body sessions at the Annual Meetings of the American Schools of Oriental Research in 2016 and 2017, as well as sessions relating to ancient dress and personal adornment at the Annual Meetings of the Archaeological Institute of America in 2018. Following the broad notion of dress first presented in Eicher and Roach-Higgins in 1992 as the 'assemblage of modifications of the body and/or supplements to the body, ' the contributions to this volume study varied materials, including physical markings on the body, durable goods related to dressed bodies in archaeological contexts, dress as represented in the visual arts as well as in texts, most bringing overlapping bodies of evidence into play. Examining materials from a range of geographic and chronological contexts including the prehistoric Caucasus, Iran, Mesopotamia, Syria and the Levant, the Aegean, Greece, the Roman world and Late Antique Central Asia, this volume takes as its starting point that dress does not simply function as a static expression of identity or status, inscribed on the body to be 'read' by others, but is a dynamic component in the construction, embodiment, performance and transformation of identity."--
Format:
Electronic Resources
Relevance:
0.0432
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