by
Ambrosio, Giovanna.
Call Number
150.195 22
Publication Date
2009
Summary
'From time to time we listen to some curious views on psychoanalysis as an old fashioned and useless discipline, more important from an historical perspective than as a tool for understanding human life in its normal and pathological dimensions, as well as an effective therapeutic instrument. This book on transsexualism and transvestism shows exactly how psychoanalysis can reflect, discuss, dialogue and formulate useful insights on one of the most challenging situations that nowadays confront all members of the mental health community. Giovanna Ambrosio assembled this group of distinguished an.
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54899.1992
by
Ramet, Sabrina P., 1949-
Call Number
305.3 20
Publication Date
1996
Format:
Electronic Resources
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0.8929
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by
Case, Sue-Ellen.
Call Number
305.90664 20
Publication Date
1995
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Electronic Resources
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0.0635
by
Fonagy, Peter.
Call Number
155.3
Publication Date
2009
Summary
'While Freud opened the door on the formative and motivating power of sexuality, contemporary psychoanalysts, with some notable exceptions, have consigned sexuality to the psychoanalytic closet. This book not only re-opens the door on the broad subject of psychosexuality, but also provides fresh insights into heterosexuality, bisexuality, homosexuality, gender identity disorder, transvestism and transsexualism. This publication brings together some of the leading psychoanalytic authorities from around the globe to consider in depth the complex interweaving of identity, gender and sexuality fro.
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0.0598
by
Litvak, Joseph.
Call Number
823.809357 20
Publication Date
1992
Summary
In Caught in the Act, Joseph Litvak reveals not only the surprising wealth of theatrical themes in the canonical nineteenth-century English novel, but also the complex and over-determined politics of this theatricality. Nineteenth-century fiction is typically understood as enshrining the bourgeois values of privacy, domesticity, subjectivity, and sincerity. But Litvak demonstrates that private experience in the novels of Jane Austen, Charlotte Bronte, George Eliot, and Henry James is in fact a rigorous enactment of a public script that constructs normative gender and class identities. These novels also display extravagant theatrical forms like travesty, transvestism, charade, and carnival. The theatricality enforces social norms at the same time that it provides ways for novelists to resist them. Litvak thus challenges recent interpretations of the nineteenth-century novel as a disciplinary apparatus. His approach encourages a rethinking of the genre and its varied cultural contexts in all their instability and ambivalence. In addition to a new interpretation, this rethinking offers a new, more frankly theatrical approach to interpretation itself. Litvak argues that the theatricality of the nineteenth-century novel anticipates the late twentieth-century strategies of feminist and gay critical performance.
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Electronic Resources
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0.0539
by
Litvak, Joseph.
Call Number
823.809357 20
Publication Date
1992
Summary
In Caught in the Act, Joseph Litvak reveals not only the surprising wealth of theatrical themes in the canonical nineteenth-century English novel, but also the complex and over-determined politics of this theatricality. Nineteenth-century fiction is typically understood as enshrining the bourgeois values of privacy, domesticity, subjectivity, and sincerity. But Litvak demonstrates that private experience in the novels of Jane Austen, Charlotte Bronte, George Eliot, and Henry James is in fact a rigorous enactment of a public script that constructs normative gender and class identities. These novels also display extravagant theatrical forms like travesty, transvestism, charade, and carnival. The theatricality enforces social norms at the same time that it provides ways for novelists to resist them. Litvak thus challenges recent interpretations of the nineteenth-century novel as a disciplinary apparatus. His approach encourages a rethinking of the genre and its varied cultural contexts in all their instability and ambivalence. In addition to a new interpretation, this rethinking offers a new, more frankly theatrical approach to interpretation itself. Litvak argues that the theatricality of the nineteenth-century novel anticipates the late twentieth-century strategies of feminist and gay critical performance.
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Electronic Resources
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0.0539
by
Tötösy de Zepetnek, Steven, 1950-
Call Number
943.905 22
Publication Date
2011
Summary
The studies presented in the collected volume Comparative Hungarian Cultural Studies -- edited by Steven Tötösy de Zepetnek and Louise O. Vasvári -- are intended as an addition to scholarship in (comparative) cultural studies. More specifically, the articles represent scholarship about Central and East European culture with special attention to Hungarian culture, literature, cinema, new media, and other areas of cultural expression. On the landscape of scholarship in Central and East Europe (including Hungary), cultural studies has acquired at best spotty interest and studies in the volume aim at forging interest in the field. The volume's articles are in five parts: part one, "History Theory and Methodology of Comparative Hungarian Cultural Studies," include studies on the prehistory of multicultural and multilingual Central Europe, where vernacular literatures were first institutionalized for developing a sense of national identity. Part two, "Comparative Hungarian Cultural Studies and Literature and Culture" is about the re-evaluation of canonical works, as well as Jewish studies which has been explored inadequately in Central European scholarship. Part three, "Comparative Hungarian Cultural Studies and Other Arts," includes articles on race, jazz, operetta, and art, fin-de-siècle architecture, communist-era female fashion, and cinema. In part four, "Comparative Hungarian Cultural Studies and Gender," articles are about aspects of gender and sex(uality) with examples from fin-de-siècle transvestism, current media depictions of heterodox sexualities, and gendered language in the workplace. The volume's last section, part five, "Comparative Hungarian Cultural Studies of Contemporary Hungary," includes articles about post-1989 issues of race and ethnic relations, citizenship and public life, and new media.
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0.0516
by
Di Ceglie, Domenico.
Call Number
618.928583 22
Publication Date
1998
Format:
Electronic Resources
Relevance:
0.0477
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