by
ClickView (Firm)
Call Number
XX(304151.1)
Summary
Filmmakers discuss what motivates the to create, how they use other people's work, and the difference between copying and being inspired by copyrighted material.
Format:
Other
Relevance:
67235.4375
by
Armes, Roy.
Call Number
791.43023309226
Publication Date
2008
Summary
Compiled by eminent Africanist film scholar Roy Armes, Dictionary of African Filmmakers is an inclusive, comprehensive treatment of films and filmmaking on the African continent.
Format:
Electronic Resources
Relevance:
67235.3984
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by
MacDonald, Scott, 1942-
Call Number
791.43750973 19
Publication Date
1992
Format:
Electronic Resources
Relevance:
63389.2695
by
Cones, John W.
Call Number
384.83 22
Publication Date
2010
Summary
The practical and legal aspects of writing a business plan for a film venture can be daunting to navigate without a firm grasp of know-how. With this in mind, John W. Cones's Business Plans for Filmmakers arms independent movie-makers and students with everything they need to successfully tackle the confusing intersection of law, business, and art when creating a business plan for a movie. This pragmatic volume offers plenty of examples and strategies for success, sharing straightforward insight into some of the toughest challenges independent filmmakers face when enco.
Format:
Electronic Resources
Relevance:
63388.3359
by
MacDonald, Scott, 1942-
Call Number
791.43750973 22
Publication Date
2006
Summary
A Critical Cinema 5 is the fifth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English.
Format:
Electronic Resources
Relevance:
60137.0273
by
MacDonald, Scott, 1942-
Call Number
791.43750973
Publication Date
1998
Format:
Electronic Resources
Relevance:
60137.0273
by
Armes, Roy.
Call Number
791.4302320923927 22
Publication Date
2010
Summary
A comprehensive reference to film production in the Arab Middle East.
Format:
Electronic Resources
Relevance:
54899.2148
8.
by
Melnyk, George.
Call Number
791.430820971
Publication Date
2010
Summary
""The Gendered Screen expands the discursive space for scholarly engagement with women filmmakers in a predominantly masculinist terrain. The contributors provide fresh approaches to filmmakers of the canon and give solid first starts to filmmakers who had previously been left out of the picture of Canadian cinema studies." Susan Lord, Film and Media, Queen's University, co-editor with Janine Marchessault of Fluid Screens, Expanded Cinemas (2007) and with Annette Burfoot of Killing Women: The Visual Culture of Gender and Violence (WLU Press, 2006)" "This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Screen updates the subject with discussions of important filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, Lea Pool, and Patricia Rozema, whose careers have produced major bodies of work. It also introduces critical studies of newer filmmakers such as Andrea Dorfman and Sylvia Hamilton and new-media video artists." "Feminist scholars are re-examining the ways in which authorship, nationality, and gender interconnect. Contributors to this volume emphasize a diverse feminist study of film that is open, inclusive, and self-critical. Issues of hybridity and transnationality as well as race and sexual orientation challenge older forms of discourse on national cinema. Essays address the transnational filmmaker, the queer filmmaker, the feminist filmmaker, the documentarist, and the video artist---just some of the diverse identities of Canadian women filmmakers working in both commercial and art cinema today."--Jacket.
Format:
Electronic Resources
Relevance:
52745.6875
by
Oumano, Elena.
Call Number
791.43023
Publication Date
2010
Summary
In Cinema Today, Elena Oumano has ingeniously crafted a conversation from her personal and individual interviews with a distinguished group of international cinema legends. She follows a lively symposium-in-print format, with the filmmakers' words and thoughts grouped together under various key cinema topics. Collectively these artists reflect on and explore issues and concerns of modern filmmaking, from the practical to the aesthetic, including the process, cinematic rhythm and structure, and the many aspects of the media: business, the viewer, and cinema's place in society.
Format:
Electronic Resources
Relevance:
50827.2734
by
Rothman, William.
Call Number
070.1809 22
Publication Date
2009
Format:
Electronic Resources
Relevance:
49104.0352
by
Foster, Gwendolyn Audrey, author.
Call Number
791.430233092273 20
Publication Date
1997
Format:
Electronic Resources
Relevance:
44824.0859
by
Garon, Jon M.
Call Number
384.830973 22
Publication Date
2009
Summary
Preparing independent or guerrilla filmmakers for the legal, financial, and organizational questions that can doom a project if unanswered, this guide demystifies issues such as developing a concept, founding a film company, obtaining financing, securing locations, casting, shooting, granting screen credits, distributing, exhibiting, and marketing a film. Updated to include digital marketing and distribution strategies through YouTube or webisodes, it also anticipates the problems generated by a blockbuster hit: sound tracks, merchandizing, and licensing. Six appendices provide sample contracts, copyright forms and circulars, Writer's Guild of America definitions for writing credits, and studio contact information.
Format:
Electronic Resources
Relevance:
41500.6953
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