Introduction (Cory Barker and Myc Wiatrowski); Part One: Netflix as Disruptor and as Cultural Institution; From Primetime to Anytime Streaming Video, Temporality and the Future of Communal Television (Justin Grandinetti); Terms of Excess: Binge-Viewing as Epic-Viewing in the Netflix Era (Djoymi Baker) ; Streaming Culture, the Centrifugal Development of the Internet and Our Precarious Digital Future (Joseph Donica); Part Two: Netflix as Producer and as Distributor Doing Time: Queer Temporalities and Orange is the New Black (Maria San Filippo)Netflix and Innovation in Arrested Development's Narrative Construction (Maíra Bianchini and Maria Carmem Jacob de Souza); Circulating The Square: Digital Distribution as (Potential) Activism (James N. Gilmore); Part Three: Netflix as Narrowcaster and as Global Player; Binge-Watching in Practice: The Rituals, Motives and Feelings of Streaming Video Viewers (Emil Steiner); Narrowcasting, Millennials and the Personalization of Genre in Digital Media (Alison N. Novak) From Interactive Digital Television to Internet "Instant" Television: Netflix, Shifts in Power and Emerging Audience Practices from an Evolutionary Perspective (Vivi Theodoropoulou) Digital Delivery in Mexico: A Global Newcomer Stirs the Local Giants (Elia Margarita Cornelio-Marí).