Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of figures -- List of tables -- List of contributors -- Methodologies of touristic exchange: an introduction -- References -- PART I: Cooperation, exchange negotiation: the shared needs of Indigenous communities and cultural tourists -- 1. 'Temporary belonging': Indigenous cultural tourism and community art centres -- Introduction -- Temporary belonging in Indigenous cultural tourism -- Remote art centres and Indigenous cultural tourism in Australia -- Case study: Arnhemweavers -- The range of immersion in participatory Indigenous cultural tourism -- References -- 2. Saving Sagada -- Introduction -- Methodology -- The roads to tourism in Sagada -- Impact of tourism in the community -- The culture bearers of Sagada -- The shift to cultural tourism -- Declaration as a heritage town -- Cultural mapping -- Developing creative industries -- Conclusion -- Notes -- References -- 3. Native American communities and community development: the case of Navajo Nation -- Introduction -- Navajo Nation -- Conclusion -- References -- PART II: The cultural tourist, social media and self-exploration -- 4. Investigating the role of virtual peer support in Asian youth tourism -- Introduction -- Literature review -- e-WOM and virtual peer support studies -- Cultural distance and youth travelling styles inside Asia -- Spontaneity and decision-making in Hong Kong -- The culture of narcissism -- Methodology -- Virtual data collection and observation -- In-depth interviews and focus groups -- Short structured face-to-face surveys -- Types of decisions studied and results -- Feedback loops evident in social media -- Narcissism, trust and self-censorship -- Conclusion -- Acknowledgements -- References -- 5. Doing literary tourism - an autoethnographic approach -- Methodology.

Literary tourism -- Edward Thomas as literary tourist -- In pursuit of Iain Banks - reflections on doing literary tourism -- Authenticity -- Authorial intervention -- Literary tourism in Scotland -- References -- 6. Creative cultural tourism development: a tourist perspective -- Introduction -- Creative tourism and experience -- Tourist perceptions -- Research setting -- Methodology -- Findings -- Conclusion -- References -- 7. #travelselfie: a netnographic study of travel identity communicated via Instagram -- Introduction -- Background -- Instagram -- Methodology -- Findings -- Conclusion -- References -- PART III: Cultural precincts, events and managing tourist and community expectations -- 8. The creative turn: cultural tourism at Australian convict heritage sites -- Introduction -- Methodology -- Performativity in cultural tourism -- Cockatoo Island -- Conclusion -- Acknowledgements -- Notes -- References -- 9. Cultural tourism and the Olympic movement in Greece -- Introduction -- Olympic movement in Greece -- Cultural tourism in Greece -- Contribution of the 2004 Olympics to Cultural Tourism -- Conclusion -- Notes -- References -- 10. Local/global: David Walsh's Museum of Old and New Art and its impact on the local community and the Tasmanian tourist industry -- Introduction -- Global tourism: a mega-business -- Investing in 'Catwalk' global markets, and the role of experiencescapes for tourism -- MONA's contribution to Tasmania's tourist industry -- MONA's uniqueness and the democratization of experience -- Events: successful experiential initiatives -- MONA's emphasis on the local -- Conclusion -- Notes -- References -- Conclusion -- References -- Index.