Choice Review
Frederick Jackson Turner's ideas are far removed from the historical realities offered by these two regional (or subregional) studies of Las Vegas, Nevada. Postmodernist "new western" emphases seep from the pages of both works, which celebrate ethnic diversity as they depart from the traditional interpretations that often emphasized "little but open space and desert" before the white man appeared. These books would make scholars such as Patricia Limerick or Donald Worster proud. Peoples, edited by Univ. of Nevada, Las Vegas (UNLV) professors Simich (political science; coauthor, General Index to Croatian Pioneers in California, 1849-1999, 1999) and Wright (history; Flight from Chile: Voices of Exile, CH, Jan'99, 36-2907), is an historical anthology of ethnicity--the diversity of Las Vegas (then and now) that, in summary, is described in the book's introduction, "Immigration, Ethnicity, and the Rise of Las Vegas." Thereafter, scholars representing several academic disciplines write detailed accounts of traditional ethnic groups (Native Americans, African Americans, and "The Mexicans"), but also add Greeks, Italians, Jews, Croats, Filipinos, "Peoples from the Indian Subcontinent," and Chileans to the mix. Las Vegas is an equally fine study by historians Moehring (UNLV; Resort City in the Sunbelt: Las Vegas, 1930-1900, CH, Jun'90, 27-5945; exp. ed., 1930-2000, 2000) and Green (Southern Nevada Community College; Nevada: A Journey of Discovery, 2005, and editor in chief, Nevada Historical Society Quarterly) that is a general history of the city and its immediate surroundings. Written more for the public, Las Vegas offers a complete, sometimes amazing account of a city that is more than just a place immortalized by Elvis Presley in Viva Las Vegas (1964), always "turning day into night and night into day." These two monographs complement each other and should be read as companions. ^BSumming Up: Recommended, both titles. All public and academic levels and collections. P. D. Travis Texas Woman's University