Ever since I was thirteen years old, all I wanted to do was perform. It was an unusual dream for a kid from the Northern Territory to have ... what I wanted for my life was a world away from what people knew and loved about the Top End . Even though I've moved south to become an actor, the Territory has never left me. It's the place I go to when I want to feel whole again. From Kakadu to Cannes, Miranda Tapsell is one of Australia's favourite actors. A proud Larrikia woman, she built a stellar career on stage, and shot to fame in The Sapphires and then in Love Child and Doctor, Doctor. Growing up, Miranda often looked for faces like hers on our screens. There weren't many. And too often there was a negative narrative around Indigenous lives, and Aboriginal women especially. Now an award-winning actor, she decided to change things herself. Combining her love of romantic comedies with her love of Darwin, the Tiwi Islands and the Top End, Miranda wrote, produced and stared in the box office hit Top End Wedding. But who the hell co-writes, produces and acts in a film about a wedding in the same year they're having their own? Miranda Tapsell does! In this engaging and thought-provoking memoir, TOP END GIRL, Miranda shares the path she took to create a moving film about reconnection to family and culture at the same time as she was planning her own wedding. And, like all good story-tellers, she holds a mirror up to the society we live in to show the prejudice that too often surfaces. Miranda knows that the key to change is to understand and through the power of storytelling she is changing attitudes and expectations to unite us all.

"We Come with This Place is a remarkable book, as rich, varied and surprising as the vast landscape in which it is set. Debra Dank has created an extraordinary mosaic of vivid episodes that move about in time and place to tell an unforgettable story of country and people. There is great pain in these pages, and anger at injustice, but also great love, in marriage and in family, and for the land. Dank faces head on the ingrained racism, born of brutal practice and harsh legislation, that lies always under the skin of Australia, the racism that calls a little Aboriginal girl names and beats and rapes and disenfranchises the generations before hers. She describes sudden terrible violence, between races and sometimes at home. But overwhelmingly this is a book about strong, beloved parents and grandparents, guiding and teaching their children and grandchildren what country means, about joyful gatherings and the pleasures of eating food provided by the place that nourishes them, both spiritually and physically. Dank calibrates human emotions with honesty and insight, and there is plenty of dry, down-to-earth humour. You can feel and smell and see the puffs of dust under moving feet, the ever-present burning heat, the bright exuberance of a night-time campfire, the emerald flash of a flock of budgerigars, the journeying wind, the harshness of a station shanty, the welcome scent of fresh water. We Come with This Place is deeply personal, a profound tribute to family and the Gudanji Country to which Debra Dank belongs, but it is much more than that. Here is Australia as it has been for countless generations, land and people in effortless balance, and Australia as it became, but also Australia as it could and should be." -- Back cover.

What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, attempts to showcase as many diverse voices, experiences and stories as possible in order to answer that question. Each account reveals, to some degree, the impacts of invasion and colonisation ? on language, on country, on ways of life, and on how people are treated daily in the community, the education system, the workplace and friendship groups.Accounts from well-known authors and high-profile identities sit alongside newly discovered voices of all ages, with experiences spanning coastal and desert regions, cities and remote communities. All of them speak to the heart ? sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect.This groundbreaking anthology aims to enlighten, inspire and educate about the lives of Aboriginal people in Australia today.Contributors include: Tony Birch, Deborah Cheetham, Adam Goodes, Terri Janke, Patrick Johnson, Ambelin Kwaymullina, Jack Latimore, Celeste Liddle, Amy McQuire, Kerry Reed-Gilbert, Miranda Tapsell, Jared Thomas, Aileen Walsh, Alexis West, Tara June Winch, and many, many more.

The Macquarie Atlas of Indigenous Australia is a unique tool for exploring and understanding the lives and cultures of Australia's First Peoples. An atlas can represent - in graphic form - a pattern of human activities in space and time. This second edition of the award-winning Macquarie Atlas of Indigenous Australia opens a window onto the landscape of Australian Aboriginal and Torres Strait Islander lives, from over 60 000 years ago to the present time. Each chapter has been extensively revised and updated by one or more experts in the field, under the general editorship of Bill Arthur and Frances Morphy of the Centre for Aboriginal Economic Policy Research at the Australian National University. The maps, which form the core of the book, are supplemented by explanatory text and numerous diagrams, photographs and illustrations, including Indigenous artworks. This book is a collaborative publication between the Australian National University (ANU), the Australian Bureau of Statistics (ABS) and Macquarie Dictionary.

This work documents the dramatic history of Australian settlement and describes the rich ethnic and cultural inheritance of the nation through the contributions of its people.

As uncomfortable as it is, we need to reckon with our history. On January 26, no Australian can really look away. There are the hard questions we ask of ourselves on Australia Day. Since publishing his critically acclaimed, Walkley Award-winning, bestselling memoir Talking to My Country in early 2016, Stan Grant has been crossing the country, talking to huge crowds everywhere about how racism is at the heart of our history and the Australian dream. But Stan knows this is not where the story ends. In this book, Australia Day, his long-awaited follow up to Talking to My Country, Stan talks about reconciliation and the indigenous struggle for belonging and identity in Australia, and about what it means to be Australian. A sad, wise, beautiful, reflective and troubled book, Australia Day asks the questions that have to be asked, that no else seems to be asking. Who are we? What is our country? How do we move forward from here?

"Karl-Erik Sveiby and Tex Skuthorpe show how traditional Aboriginal stories and paintings were used to convey knowledge from one generation to the next, about the environment, law and relationships. They reveal the hidden art of four-level storytelling, and discuss how the stories, and the way they were used, formed the basis for a sustainable society. They also explain ecological farming methods, and how the Aboriginal style of leadership created resilient societies."--BOOK JACKET.