por
Bridgers, Lynn.
Signatura topográfica preferida
200.8996073
Fecha de publicación
2006
Resumen
The American Religious Experience is an accessible and unique rendition of American religious history. Focusing on Christianity in America, it also integrates the inter-religious, inter-denominational and multi-cultural dimensions of American religious history. The book unfolds consistent tensions between dominant streams of American Christianity and groups relegated to the periphery - groups with roots in visionary traditions, emotionalized religious practice, or ethnic and racial perspectives.
Formato:
Recursos electrónicos
Relevancia:
0.0573
por
Price, Emmett George, editor.
Signatura topográfica preferida
277.308308996073 23
Fecha de publicación
2012
Resumen
"Throughout the 1950s and 1960s, the Black Church stood as the stronghold of the Black Community, fighting for equality and economic self-sufficiency and challenging its body to be self-determined and self-aware. Hip Hop Culture grew from disenfranchised urban youth who felt that they had no support system or resources. Impassioned with the same urgent desires for survival and hope that their parents and grandparents had carried, these youth forged their way from the bottom of America's belly one rhyme at a time. For many young people, Hip Hop Culture is a supplement, or even an alternative, to the weekly dose of Sunday-morning faith. In this collection of provocative essays, leading thinkers, preachers, and scholars from around the country confront both the Black Church and the Hip Hop Generation to realize their shared responsibilities to one another and the greater society. Arranged into three sections, this volume addresses key issues in the debate between two of the most significant institutions of Black Culture. The first part, "From Civil Rights to Hip Hop," explores the transition from one generation to another through the transmission -- or lack thereof -- of legacy and heritage. Part II, "Hip Hop Culture and the Black Church in Dialogue," explores the numerous ways in which the conversation is already occurring -- from sermons to theoretical examinations and spiritual ponderings. Part III, "Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix," clarifies the perspectives and insights of practitioners, scholars, and activists who explore various expressions of faith and the diversity of locations where these expressions take place. In The Black Church and Hip Hop Culture, pastors, ministers, theologians, educators, and laypersons wrestle with the duties of providing timely commentary, critical analysis, and in some cases practical strategies toward forgiveness, healing, restoration, and reconciliation. With inspiring reflections and empowering discourse, this collection demonstrates why and how the Black Church must re-engage in the lives of those who comprise the Hip Hop Generation."--Provided by publisher.
Formato:
Recursos electrónicos
Relevancia:
0.0502
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por
Hubbard, Dolan, 1949-
Signatura topográfica preferida
810.9896073 20
Fecha de publicación
1994
Resumen
Characterized by oral expression and ritual performance, the black church has been a dynamic force in African American culture. In The Sermon and the African American Literary Imagination, Dolan Hubbard explores the profound influence of the sermon upon both the themes and the styles of African American literature. Beginning with an exploration of the historic role of the preacher in African American culture and fiction, Hubbard examines the church as a forum for organizing black social reality. Like political speeches, jazz, and blues, the sermon is an aesthetic construct, interrelated with other aspects of African American cultural expression. Arguing that the African American sermonic tradition is grounded in a self-consciously collective vision, Hubbard applies this vision to the themes and patterns of black American literature. With nuanced readings of the work of Frederick Douglass, Frances Ellen Watkins Harper, James Weldon Johnson, Zora Neale Hurston, Ralph Ellison, James Baldwin, and Toni Morrison, Hubbard reveals how the African American sermonic tradition has influenced black American prose fiction. He shows how African American writers have employed the forms of the black preaching style, with all their expressive power, and he explores such recurring themes as the quest for freedom and literacy, the search for identity and community, the lure of upward mobility, the fictionalizing of history, and the use of romance to transform an oppressive history into a vision of mythic transcendence. The Sermon and the African American Literary Imagination is a major addition to the fields of African American literary and religious studies.
Formato:
Recursos electrónicos
Relevancia:
0.0502
4.
por
Robinson, Edward J., 1967-
Signatura topográfica preferida
286.6092
Fecha de publicación
2011
Formato:
Recursos electrónicos
Relevancia:
0.0486
por
Robinson, Edward J., 1967-
Signatura topográfica preferida
286.6092
Fecha de publicación
2007
Resumen
Samuel Robert Cassius was born to a slave mother and a white father in Virginia in 1853 and became a member of the Restorationist Movement (Disciples of Christ) while a coal miner in Indiana. This book aims to capture the essence of Cassius' complex and extraordinary life.
Formato:
Recursos electrónicos
Relevancia:
0.0486
por
Blum, Edward J.
Signatura topográfica preferida
232 23
Fecha de publicación
2012
Resumen
"How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama"--Provided by publisher.
Formato:
Recursos electrónicos
Relevancia:
0.0424
por
Andrews, William L., 1946-
Signatura topográfica preferida
208.8042
Fecha de publicación
1986
Formato:
Recursos electrónicos
Relevancia:
0.0355
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